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| author [first name] | title | language | publication | id code | last modification | view |
|---|---|---|---|---|---|---|
| Heinrich Heine | * Die Lorelei | German | 1823 | Arg-2-2 | 2014-04-23 18:09 Manfred | only this add |
| Hans-Georg Kaiser | Lorelay | Esperanto | Arg-564-2 | 2005-02-03 19:18 Manfred | only this add | |
| Ludwig Lazarus Zamenhof | Lorelej | Esperanto | Arg-565-2 | 2009-10-30 16:15 mgr | only this add | |
| Leopold Elb | Lorelej' | Esperanto | Arg-71-2 | 2005-02-03 19:06 Manfred | only this remove | |
| Joachim Gießner | Lorelejo | Esperanto | Arg-1115-2 | 2010-09-15 12:51 Manfred | only this add | |
| N. N. 01 | Lurleia | Latin | Arg-179-2 | 2010-02-11 14:00 Manfred | only this remove | |
| Paul Gottfried Christaller | [Ne scias mi, kio okazis] | Esperanto | Arg-1116-2 | 2010-09-13 10:03 Manfred | only this add | |
| Mark Twain | The Lorelei | English | Arg-11-2 | 2003-10-13 04:42 mgr | only this remove | |
| L. W. Garnham | The Lorelei | English | Arg-14-2 | 2003-10-11 23:04 mgr | only this add |
Heinrich Heine, | Heinrich Heine, | Heinrich Heine, | ||
| translated by Mark Twain | translated by Leopold Elb | translated by N. N. 01 | ||
| An ancient legend of the Rhine | Tiu traduko estas poste iom modifita de aliuloj, ne estas la origina traduk-versio de Leopold Elb. | |||
| I cannot divine what it meaneth, | Ne scias mi, kial mi estas | Ignoro, quid id sibi velit, | ||
| This haunting nameless pain: | Malgaja en la kor’. | Tristissimus cur sim, | ||
| A tale of the bygone ages | Antikva fabelo restas | Antiqui aevi fabellam | ||
| Keeps brooding through my brain: | Por ĉiam en mia memor’. | Cur saepe volverim. | ||
| The faint air cools in the gloaming, | Vespero jam ekmalheliĝas, | Vesperascit et frigescit, | ||
| And peaceful flows the Rhine, | Fluadas la Rejn’ en trankvil’, | Et Rhenus leniter it, | ||
| The thirsty summits are drinking | La supro de l’ monto lumiĝas | Cacumen montis lucescit, | ||
| The sunset's flooding wine; | En vespersuna bril’. | Dum Phoebus occidit. | ||
| The loveliest maiden is sitting | Belega knabino jen tronas | Sedet in summo montis | ||
| High-throned in yon blue air, | Kun ora juvelar’, | Virgo pulcherrima, | ||
| Her golden jewels are shining, | La belan vizaĝon kronas | Auro nitet gemma frontis, | ||
| She combs her golden hair; | Mirinde la ora harar’. | Se pectit auricoma. | ||
| She combs with comb that is golden, | Ŝi uzas kombilon el oro | Aureolo pectine pectit, | ||
| And sings a weird refrain | Kaj dume kantas ŝi. | Carmen canens procul, | ||
| That steeps in a deadly enchantment | Mirige tuŝas al koro | Mirandum id habet modum | ||
| The listener's ravished brain: | Sorĉiga la melodi’. | Nec non virilem simul. | ||
| The doomed in his drifting shallop, | Kaj sopiregon eksentas | In cymba navitam mille | ||
| Is tranced with the sad sweet tone, | Ŝipisto dum sia vetur’; | Angores feri tenent, | ||
| He sees not the yawing breakers, | Rifaron li ne priatentas, | Non videt scopulos ille, | ||
| He sees but the maid alone: | Al monto rigardas li nur. | Ocli non si sursum vident. | ||
| The pitiless billwos engulf him!- | Mi kredas, ke dronos finfine | Opinor undas devorare | ||
| So perish sailor and bark; | Ŝipisto kun sia boat’, | Nautam cum navicula, | ||
| And this, with her baleful singing, | Kaj tion kaŭzis feine | Effecit solo canendo | ||
| Is the Lorelei's gruesome work. | La Loreleja kantad’. | Lurleia id dea. | ||
| Translation of the German poem "Die Lorelei" by Heinrich Heine (*1797-12-13 - †1856-02-17) into English by Mark Twain. A Tramp Abroad. Vol 1-2. Leibzig: Tauchnitz, 1880 Band I, Mark Twain 1880 (rf. http://www.loreley.com/loreley/marctwai.htm) | Translation of the German poem "Die Lorelei" by Heinrich Heine (*1797-12-13 - †1856-02-17) into Esperanto by Leopold Elb (†1912-08.04). La traduko troviĝas sur paĝo 84 de la lernolibro „Post la kurso“ de Wilhelm kaj Hans Wingen, eldonita de Ludwig Pickel en Nurembergo (Nürnberg), Germanio. | Translation of the German poem "Die Lorelei" by Heinrich Heine (*1797-12-13 - †1856-02-17) into Latin by N. N. 01. |